Two authors, one story?
In my last post, I wrote about two books by Jenny Colgan, set in a derelict bookstore in Edinburgh. The protagonist’s task is to work in the bookstore and try to help its elderly and somewhat hapless owner get it back in the black. In the course of doing this, she meets two men—one a wealthy, successful author, the other a penniless but quietly charming student—and has to choose between them. Against all odds, she manages to keep the bookstore going long after everyone thinks it will fail.

Just as I finished reading those, a hold from Los Angeles Public Library became available—The Lost and Found Bookshop, by Susan Wiggs. In it, the protagonist inherits her mother’s foundering bookshop in San Francisco. She needs to sell it, to settle the debts and also to provide for her grandfather, whose health is failing, but she can’t because it turns out he is the owner of record, and refuses to sell. So she has to jump in and try to save the store. In the process, she meets two men—one a wealthy, successful author who she persuades to do a book-signing, the other a carpenter/ handyman/musician who she hires to do some repairs around the place—and she has to choose between them. Through a series of happy accidents plus a lot of hard work, she keeps the doors open and makes her grandfather happy.
Leo Tolstoy said, “All great literature is one of two stories: A man goes on a journey, or a stranger comes to town.” A 1919 writing manual penned by Wycliff Aber Hill posited that there are only 37 basic plots in the world. In 2015, Matthew Jockers used a computer analysis of 40,000 novels to conclude that all literature follows only six possible stories. And how many people have repeated the old saw, “There is nothing new under the sun”? Still…when the formula already involves a bookshop in financial trouble and a young female protagonist sent in to save the day for its elderly owner, maybe its author could check other books about bookshops to see if at least some of the rest of the tropes could be tweaked or avoided?
Since The Lost and Found Bookshop‘s publication preceded that of Jenny Colgan’s books by about a year, Jenny is probably the one who should have done the checking; but I have to say that I preferred her books by a considerable margin for a couple of reasons, the first of which was a less-than-satisfying protagonist in this one. Natalie Harper is simply too self-involved and angsty to be as likeable as Carmen, and I found myself getting annoyed with the author about the things she left out that would have made this character more well rounded.
I did like the manner in which she addressed the subject of grief, and I enjoyed the mentions of actual books and authors throughout. Some of the historical back-story was interesting, especially the bits about the San Francisco earthquake. But the other reason I didn’t care for this one was the series of three discoveries based on that history, and how the characters dealt with them; this subplot was too implausible (and convenient).
There were also some nitpicky little omissions that bugged me. One example: One of the love interests notices that Natalie has amazing abs “that you only get from a lot of yoga,” but we never see her take an exercise class, participate in any kind of physical activity or, in fact, even mention something about exercise. Yeah, I know, it’s a small thing, but don’t you find it annoying when authors throw in details and then don’t follow through?
Finally, I hated the way she ended the book. I am a person who doesn’t care for totally open-ended stories; I like a real conclusion. But I also have a pet peeve, which is the use of an epilogue as a tool to tie things up with a bow (or multiple ribbons!) and that’s what Wiggs does here, in a cutesy way (everything is presented via a series of newspaper articles). I reviewed another book on this blog (Things You Save In A Fire, by Katherine Center) and panned it because I loved it until the 20-page epilogue, where the author ruined it for me by ruthlessly and thoroughly tying off every possibility other than the ones she chose.
So—not a bad read, but probably not one I would recommend over some other bookshop stories.
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