Cream of the crop
I wasn’t going to post any further about my sojourn in the land of Regency Romance, but the last Heyer I reread was so delightful that I just have to share. I have previously mentioned a list of favorites here, and somehow this one didn’t make it onto that list, but I think it may be my new “best-of” pick. It’s The Foundling, written in 1948.

The name of the book is deceptive, because the foundling (orphan) in question is merely one small element in a much bigger story, and most of that story is about Adolphus Gillespie Vernon Ware (“Gilly”), the seventh Duke of Sale. Gilly is 24 years old, one year away from his majority, when he will take over control of his own estates from his guardian and uncle, Lord Lionel Ware. He is beset by irritations, but not the kind to which there seem to be any solution. He was a sickly child who has grown into a sturdy (if small and slight) adult, but his relatives and the raft of devoted family retainers who work for him will never let him forget that they have had good reason to mollycoddle him for his entire life, and he is constantly thwarted in the simplest of plans. He can’t do so much as take a walk to his club without his valet, his butler, or his agent insisting on ordering him a carriage for fear he will unduly exert himself or catch a chill. So when his young cousin, Matthew Ware, comes to him with a problem he is, himself, unable to solve, the Duke decides that he will take care of it without resorting to the advice of others. He will do so while masquerading as a plain “Mr. Dash,” not dependent on the benefits of birth and wealth; he manages to sneak off on his own, with no luggage, no carriage or horse, and no word to his servants or his uncle about either his intentions or his destination.
This incognito journey into the countryside to confront his cousin’s blackmailer leads to some interesting and signficant encounters that include a runaway schoolboy, a divinely beautiful but completely brainless orphan, and some villainous people and perilous situations. Meanwhile, back at his London abode, the hue and cry to discover his whereabouts is exacerbated by the belief by some that he may have run off due to an adverse reaction to becoming engaged to his lifelong friend, Lady Harriet. Others develop the theory that his cousin Gideon, who is his best friend but also his heir, may have “put him out of the way” in order to ascend to his title and massive fortune!
This is one of Heyer’s most complex and convoluted plots, with something happening every moment. Although the book is named after the fair Belinda (the foundling in question), her part in it is minor except as it motivates some of the adventures of “Mr. Rufford,” the name under which the duke is traveling. It is much less a romance (although there is a bit involved) than it is a coming of age of a man who, restricted from all autonomy since birth, finally rebels against all restraints, and his ensuing complicated adventures are the meat of the story.
I got through it in about 36 hours, because I couldn’t put it down. If you are inclined to try one of Heyer’s books for yourself, may I suggest this might be a good one to assay? (Yes, I am, at this point, speaking in the language of her characters. I think it’s time to move on to other literature.)
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