The definition of “pastiche” is “an artistic work in a style that imitates that of another work, artist, or period.” I am not accusing B. A. Shapiro of ripping off another author; rather, I am praising her skill in presenting the fictional story of an art forgery within the confines of an actual historical event.

Being a Sunday painter who has had occasion to try copying the art of another artist in the course of a school assignment, I have always been in awe of the art of the forger. While not an admirable profession—since you’re deliberately trying to fool people into paying millions for a Van Gogh that you created in your kitchen—it is nonetheless an accomplished profession, given the extreme difficult of getting each color and brushstroke so close to identical that the imitation is undetectable by experts from the great art collections of the world.

artforgerGiven this interest, I eagerly chose The Art Forger, a novel by B. A. Shapiro, as a representative work of mainstream fiction, so I could join my readers’ advisory students in their reading assignment this week.  My favorite quote from amongst the reviews is from Amazon’s editors’ picks:

“The most absorbing story every written about watching paint dry.”

It truly was absorbing, and yes, there was quite a bit about drying paint in its pages! The thing that is so difficult about the forger’s craft is that in addition to making a painting look right in terms of style and color, it also has to test as a work of its era, which means using a canvas of the proper age, and getting the paint to dry in such a way as to duplicate the craquelure, which is “a network of fine cracks on old paintings caused by the deterioration of pigment or varnish” (Free Online Dictionary). Author Shapiro manages, by alternating the details of this craft with a taut mystery/thriller, to make it fascinating.

A summary of the story:

Accomplished painter Claire Roth was previously involved in an art-related scandal that has made her name mud and sidelined her career. To support herself while she continues to paint in obscurity, she has signed on with, a company that produces high quality reproductions of masterpieces for sale. After extensive training in all the anomalies of “reproduction,” she is their specialist on the works of Edgar Degas.

The story is set in Boston for an important reason: In 1990, there was a legendary art heist in which 13 master works were stolen from Boston’s Isabella Stewart Gardner Museum, never to be seen again. Soon after the story opens, Boston’s most prominent gallery owner brings a Degas that went missing in the heist (not disclosing the details of how or from whom he has acquired it) to Roth, and asks her to make a copy of it for him. The trade-off is that she will receive a one-woman show of her own paintings at his gallery. Claire is engaged and challenged, and can’t resist the temptation, but as she begins this arduous task, she makes some interesting discoveries about the painting’s provenance and origins that lead her to investigate the personal life of art collector Isabella Gardner and her possible relationship with the artist, Edgar Degas, as well as pointing her towards some contemporary scandals.


I appreciated the multiple levels of this novel: mystery, art, and moral dilemma. It’s always fun to put yourselves in the shoes of the protagonist and say to yourself, What would I do if presented with this Faustian bargain? Claire is at once ambivalent and determined, and the stages she goes through are enlightening to observe, as she struggles with whether it is acceptable to do something wrong for all the right reasons. The art world itself is equally exposed as Claire questions whether her art is popular because it is good, or because she is notorious and people are buying it as a result of the “famous factor” and not because they love it. Ultimately, the book is about ambition and obsession, in work and in love. The historical element gives it an extra fillip of verisimilitude, and the revelation at the end is unexpected. A truly engrossing and engaging read.


One Comment on “Pastiche

  1. Pingback: Another chance | The Book Adept

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