Did I mention that I can’t resist a book with ravens, crows, or other corvids? Or a book that features an artist or painter? I found one that incorporates both, and bought it mostly based on its title and cover: An Enchantment of Ravens, by Margaret Rogerson.
The story in brief: Isobel is a portrait painter who lives in Whimsy, a town outside of time (it’s always summer there, the seasons never change) because it is adjacent to Faerie and the “fair folk” like to wander the town in their avid pursuit of what they call “Craft,” which is anything creative made by human hands. Faerie don’t “do” Craft—in fact, if they take up a pen, a brush, a sewing needle, they crumble to dust. So they are eternally fascinated by its expression, and will pay in valuable enchantments.
Although she has made many portraits of and for the fair folk, Isobel’s most esteemed patron is Gadfly, who seems particularly smitten with himself and for whom she has painted multiple pictures. One day Gadfly tells her he has recommended her to Rook, the autumn king, who wishes a portrait. This flusters Isobel, because of his rank and because he hasn’t been seen in a hundred years. But he turns out not to be so intimidating (although definitely self-regarding), and while painting him, Isobel and he develop an affinity for one another, although it is far stronger on Rook’s part than it is on Isobel’s. She knows better than to fall in love with a member of the fair folk—that would be to break the “Good Law,” and there are two choices after the law is broken: Death to both faerie and human, or the human drinks from the Green Well and becomes a faerie herself. Since she desires neither, she protects her heart and remains wary.
As she paints Rook’s portrait, however, she struggles for the first time with a likeness, and when she finally solves the problem, she has inadvertently painted human sorrow in the eyes of the autumn king. He is so incensed by this that he drags her off to his court to stand trial for this crime, and that’s the beginning of their adventure together.
I enjoyed reading the first part of this story quite a bit: The details of the painting were realistically rendered, and the banter between Isobel and her clients was entertaining, as were her behind-the-scenes thoughts and her back story. I gave a big sigh as I continued, however, because I thought to myself, This is going to turn into a typical mushy YA romance—they will probably fall in love and it will end disappointingly.
I was pleased and relieved to discover myself mistaken: Isobel has a lot more to her than do most YA heroines, and she sees her adventure with Rook as a task to endure and complete with the goal of getting back to her foster mother, Emma, and her twin “sisters,” March and May (they were formerly goat kids, turned into girls by a drunken fair one and adopted by Emma and Isabel). It is her stubborn resolution that saves her (and sometimes Rook) from misadventure for a good part of the book.
I won’t reveal more of the story; I will only say that while parts were predictable fairy tale trope, most of it is fresh and not typical. See for yourself—it’s not a long read, and I found it entertaining.
If you like it, you might also enjoy The Bride’s Farewell, by Meg Rosoff; Far, Far Away, by Tom McNeal; or Reckless, by Cornelia Funke, all of which are different from one another but share the quality of quirky original fairy tale with An Enchantment of Ravens.