All the feels
From my first glimpse of the whimsical cover illustration with its charming lettering,
I had high hopes that I would love this book. It reminded me in some ways of another unexpected pleasure, The Extraordinary Education of Nicholas Benedict, by Trenton Lee Stewart. They have some similar central themes—difference, acceptance, empathy, friendship—but I would say that whereas Nicholas Benedict is primarily written for children, this book—though certainly appropriate for youth above a certain age—is definitely targeted towards the adults in the audience, despite its population of characters who are six years old. Just like another favorite of mine—The Last Dragonslayer, by Jasper Fforde—this is fantasy that, while it may appeal to people of all ages, can only be fully appreciated by an understanding of the nuance, the inferences, the underlying message.
Linus Baker is the quintessential civil servant. He works hard at his mid-level job, refrains from involvement in the petty office politics that surround him, and spends his scant leisure time snug at home with his cat, Calliope, and his vintage record player. He is occasionally made unhappy by the arbitrary pronouncements of his immediate supervisor and her lackey, and is also sometimes discouraged by the unrelenting rain that afflicts the city in which he lives, but since these things have been essentially the same for the past 17 years, he doesn’t think about it much.
Linus works for DICOMY, the Department in Charge of Magical Youth, as a Case Worker. His job is to investigate the state-run orphanages specifically designated for the housing of children with special powers and gifts, and to make recommendations regarding the best care of the orphans. He is painstakingly thorough at this job, but has learned not to look past his final reports to wonder what happens once he has been and gone.
One particularly miserable morning, Linus is summoned to meet with Extremely Upper Management, and they tell him that because of the excellence of his reports related to previous endeavors, he has been selected to investigate Marsyas Island Orphanage, a level-four classified institution that houses some of the rarest and most dangerous children, to comment on the welfare of those housed there and also on the caretaker, one Arthur Parnassus.
Linus’s journey to the island is the beginning of an adventure that initially seems wasted on this stuffy 40-year-old bureaucrat, but which proves to be a transformation for all involved.
This story was an unalloyed delight from start to finish. The level of exaggeration in the set-up is borderline ridiculous, and yet renders the rest of it perfectly realized. It’s a character-driven tale, and oh what characters! In contrast to the stereotypical nature of those appearing in the first section, the children of the orphanage are as diverse as an author could imagine: The six children are either completely or virtually unique, either the last or only of their kind, or at least exceedingly rare, and this isn’t just a commentary on their magical natures but also on their personalities. Likewise, Arthur Parnassus is an enigma worth exploring, and Linus Baker soon discovers that he is very much interested in doing so, though it be against his conscious will, which is obsessed with strictly following the Rules and Regulations.
Linus has been allotted a month on the island to do his research, write four weekly reports, and deliver his conclusions to Extremely Upper Management, and though initially dismayed by the prospect, Arthur and the children soon draw him into their isolated little world and cause him to embrace feelings he has never before experienced. The level of unconditional love and kindness expressed is heartwarming, and yet this is not a cloying story but rather a plea by the different among us to be seen, recognized, and accepted with all their idiosyncrasies. It asks tough questions about prejudice and complacency, and challenges our need to categorize people into stereotypes in order to deal with—or forget—them more easily. But ultimately the book is all about hope and about love that doesn’t discriminate. As I said in my title, it has all the feels. I can’t give it higher praise than to say that while it made me laugh and entertained me thoroughly, it also made me want to be a better person. It’s the perfect book for that moment when your faith in people is slipping.
Just for fun, I decided to illustrate one of the opening scenes when Linus Baker arrives on the island and confronts some of the children. The green blob is Chauncey, whose sweet nature belies his monstrous form, and whose most dearly held wish is to become a bell-boy at a hotel in the city (thus the bellman’s cap). He has come to greet Linus and deal with his luggage. The Pomeranian peeking out from behind him (and faintly visible in his entirety through the amorphous blob of Chauncey’s body) is Sal, a large, shy, silent boy who shifts, in moments of panic, into the form of a small dog.