Illustration

In the category of “Better late than never…”

I had a lesson this week in my year-long portrait-painting class that took as its inspiration Picasso’s harlequins. It was a complicated, lengthy, and convoluted lesson and I almost didn’t do it…and then I got an idea. I decided, instead of painting the boy and girl harlequins like the teacher did, that I would illustrate Robin Hobb’s fabulous Farseer books by making a painting of one of the main characters, the Fool, an albino court jester who (in the early books) sits at the feet of King Shrewd, dressed in black and white motley and playing with a rat-head marotte. So I did, and here it is!

The teacher who taught this lesson is a big proponent of collage, and I found some fun and symbolic stuff for this one. In addition to using tissue paper to good purpose for the ermine of the King’s cloak, I found a dragon, which figures significantly in later books; a Queen of Hearts card, which I interpreted as Queen Kettricken, my favorite female character (well, she was until Bee arrived); and a tiny jester, who is gesturing up towards my Fool from the corner.

Perhaps this will intrigue more readers to look into Robin Hobb’s three trilogies about the Farseers!

Robin Hobb wrote the Farseer Trilogy, the Tawny Man trilogy, and the Fitz and the Fool trilogy. There are also other books set in the same universe, about the Liveships and their Traders, the Rain Wilds, and the Elderlings.

Trilogy the third

I have spent the past couple of weeks immersed again in the land of the Six Duchies, the cities of the Elderlings, the oceans sailed by the liveships, and the mysterious white island of the Servants, origin of the enigmatic character known variously as the Fool, Lord Golden, and Lady Amber. Yes, I am referring to the third and last trilogy by Robin Hobb that details the story of FitzChivalry Farseer and all his many friends, enemies, family members, and connections. The end of the tale was a fascinating, unexpected, breathless pleasure to read—at the same time as I dreaded its conclusion.

After having gone missing for many years without a word to “Tom Badgerlock,” the Fool makes an abrupt and unexpected re-entry into FitzChivalry’s life that spells disaster for all. Fitz’s little daughter, Bee, is kidnapped from her home in her father’s absence, and borne away to the white island of the Servants, who believe she is the “Unexpected Son” of their prophecies and wish to exploit her talents and control her dreams. Given the almost insurmountable challenge of retrieving her (not to mention the two men’s intention to slaughter every single Servant and raze their city to the ground), Fitz and the Fool seek out all the allies they can muster, including visiting the descendents of the fabled Elderlings, engaging with the Traders who sail the sentient vessels known as liveships, and even entreating the aid of dragons.

I didn’t think I could love anything more than the last trilogy, but with the intriguing introductions of new characters and the rediscovery of old ones in this, it just blew me away. I definitely haven’t been getting enough sleep, because I haven’t been able to put it down! 

The adventure is convoluted, the personalities ever more compelling, the confrontations fizzing with action. I dare to say that this is the best extended fantasy tale I have ever read, with this trilogy being the perfect conclusion, and I know I will return to it someday to re-experience the pleasures of this exquisitely detailed saga.

I am somewhat consoled for its ending by the fact that there are other books by Hobb set in this universe, including The Liveship Traders books and the Rain Wild Chronicles. I am reluctantly pulling away from it for a while, because I need to read and review more for this blog after having neglected it so shamelessly for weeks while I indulged my fantasy binge. But I will definitely go there sometime in the near future.

More Robin Hobb

In The Tawny Man trilogy, we pick up with FitzChivalry, royal bastard and secret assassin for the rulers of the 12 Duchies, 15 years after the events of the third book in the Farseer trilogy. Fitz and his witted partner, Nighteyes the wolf, have dropped off the grid, spending time traveling and living rough, then finally establishing themselves in a tiny cottage far from the activities of court at Buckkeep. Fitz, who goes by the name Tom Badgerlock since his widely rumored demise, has adopted Hap, a child brought to him by the minstrel Starling, and has raised him with many of the precepts taught Fitz by his mentor, Burrich. The two of them and Nighteyes are living the quiet, mundane existence that Fitz craved after the tumultuous events of the first part of his life were finally concluded successfully; so when Chade, the royal assassin who taught Fitz his trade, shows up at his cabin to ask him to return to Buckkeep and take up former responsibilities, Fitz isn’t interested. But following his visit, Fitz’s friend the Fool arrives and continues his argument by reminding Fitz that the Fool is the White Prophet and Fitz is his Catalyst, and their partnership is necessary to effect change.

I can’t describe the myriad details of the rest of the trilogy here for two reasons, one being that there are too many important and complex events to explain in a short format such as this, and the other being that I wouldn’t spoil this saga for anyone for the world. But it is the relationships that dominate these books and make it well worth investing your time in this lengthy (2,000+ pages) tale. The connections between Fitz and Nighteyes, Fitz and Prince Dutiful, impulsive heir to the Farseer throne and, most of all, Fitz and the (former) Fool are so rich and compelling that the pages fly by. The introduction of new elements to the story—the OutIslanders and the potential for a union with the Six Duchies through the marriage of Dutiful to their narcheska, Elliania; the “half-wit” serving boy, Thick with his tremendous Skill talent; the charismatic Witted leader, Web; and most of all the enigmatic Lord Golden are equally fascinating, as are the old and new locations in which all events transpire.

If you read and loved the first trilogy, this one will convince you that Robin Hobb is one of the greats when it comes to fantasy sagas. The books are Fool’s Errand, Golden Fool, and Fool’s Fate.

After reading this, I went back to the Cork O’Connor mysteries, by William Kent Krueger, about which I will report on soon; but no sooner had I finished the third of those than I sought out trilogy #3, The Fitz and the Fool, to complete my knowledge of FitzChivalry and his White Prophet. And there are more stories set in this universe, after these!

Immersed in fantasy

I don’t know how I have been a fantasy reader for so many years without discovering Robin Hobb. Someone mentioned her to me lately, and I went looking to find out more. I am now caught up in a prolonged pursuit of everything I have missed.

My first incursion was into the world of The Assassin’s Apprentice. Born on the wrong side of the blanket, the Bastard, as he was first called, was brought to the court of the Six Duchies by his maternal grandfather and dropped off to be raised by his father’s people. Turns out he was the illegitimate offspring of the King-in-Waiting, Chivalry, who was such an upright man that the humiliation felt by this revelation of his youthful misdeed caused him to abdicate his place in the succession for the throne. King Shrewd’s second son, Verity, became King-in-Waiting, while his third son (by a different mother) Regal fumed at the denial of what he saw as his rightful place.

But this story, while intimately tied up with all these royals, is about the Bastard, the Boy, finally and somewhat casually called FitzChivalry. Initially he plays no important role in the life of the kingdom; he is farmed out to the master of horse, Burrich, to raise, and Burrich thoroughly educates him in such skills as how to groom a horse and muck out a stall. During this sojourn as an invisible stable boy, Fitz discovers an affinity he accepts as a natural part of life, although others don’t seem to possess it—the Wit. He has the ability to bond with animals, to hear their thoughts and chime with their emotions. This is a talent that was once valued but at some point in history came to be regarded with abhorrence. But before Fitz becomes completely submerged in the life of the stables, it is suddenly decided that he will be called upon to take a more active part in the politics of the kingdom. He is summoned by King Shrewd and pledged to the royal family, and thus begins his training in scribing, weaponry, and the art of the assassin, the secret vocation for which he is apparently destined.

That is the trajectory established in book #1 of this trilogy. Book 2 shows Fitz completing difficult tasks in his new role, while acquiring a bonded partner in the abused wolf Nighteyes, and a potential life partner in the candlemaker, Molly, friend from his youthful forays down to the docks and now a serving girl to the new Queen-in-waiting. But the relentless decimation of the Six Duchies by the Red Raiders from the sea combined with the depredations of Regal on the kingdom while Verity is preoccupied with defending it by use of the Skill (a gift of mind communication and manipulation that is both seductive and draining of its user) put Fitz in a dangerous and exposed position that ultimately spells disaster for him. The third book sees him desperately seeking Verity, who has departed for the mountains on a quest to seek aid from legendary beings called Elderlings, leaving his court to be usurped by a triumphant Regal, who squanders its resources and leaves half the kingdom exposed and undefended. The success of Verity’s quest is highly doubtful, but Fitz, King Shrewd’s Fool, and the young queen, Kettricken, can see no alternative but to follow and aid him if it’s possible.

This recent amazing drawing by friend and artist Chris Messer
put me so in mind of the wolf Nighteyes that I begged her to let me feature it in my review of Hobb’s books.

This summary, though seeming fairly detailed, leaves out about 80 percent of the tale Hobb spins in this trilogy, and is completely inadequate to convey the complexity of the world-building, the delineation of the charismatic and fully formed characters, and the emotions invoked by this involved and mesmerizing story. The trilogy held me captive, and although I read two other (unrelated) books after it, I was constantly pulled back to wonder about what happened next to Fitz, the Fool, Kettricken, Chade, Molly and Burrich, and all the rest. So as soon as I had finished those books, I lined up the next two trilogies—The Tawny Man, and the Fitz and the Fool series—on my Kindle, and started in. Since each book is between 600-700 pages, this may take me a while! But immersing myself in this world is a great way to pass a month of summer!