Past Tense is Jack Reacher book #23, by Lee Child. I read a bunch of the books in this series in long-running binges, and then got tired of them and went away for a while. But after reading a surfeit of quirky and thoughtful mainstream fiction and some angsty teen fantasy, this was the straightforward, somewhat creepy dose of suspense I needed in the moment.
The Reacher books are, admittedly, pure formula, but when it’s a good formula (as with so many mystery or suspense series), it’s easy to go with it. Jack Reacher is former military police, but in a way he’s been ruined by his career. The typical nomadic existence of military life, constantly picking up sticks and moving to a new base, a new assignment, doesn’t lend itself to putting down any roots. People who retire from that either react by finding a home and never leaving it, or they remain perpetually restless. Reacher is an extreme example of the latter, roaming randomly and impulsively back and forth across the United States with no baggage but a toothbrush and no transportation but his thumb stuck out by the side of a highway. (If he gets work and makes some money, he occasionally takes a bus or train.) Because of a combination of his background training and his hardline personal ethics, no matter where his curiosity leads him, Reacher inevitably becomes embroiled in some local trouble and acts as a knight errant to help the innocent and punish the guilty.
If you’ve seen the two movies starring Tom Cruise, most faithful readers will tell you that you haven’t met Jack Reacher. There was major outrage when he was cast, since Jack is a rangy six foot five in his stocking feet, 220-250 pounds, with blond hair—scarcely a description of the tough and enigmatic but nonetheless short and dark Cruise. I always thought, if he’d been 30 years younger, that the recently deceased Rutger Hauer (the replicant from Blade Runner) would have been good casting. Ironically, when she first sold the film rights to Interview with the Vampire, Anne Rice had pictured Hauer as perfect for the role of the vampire Lestat, which role Cruise also bogarted, to his and everyone else’s eternal regret!
In this particular book, there are two parallel story lines that persist throughout and only come together near the end. Reacher’s part of the story is initially fairly benign; with autumn coming on, he is departing soon-to-be-chilly Maine with plans to take a zig-zag path that will eventually land him in California for the winter. He puts his thumb out and gets a ride that promises to take him a good ways on his first day, but then the driver’s business calls him back to town, and Reacher is stuck out in the middle of the New Hampshire woods. A road sign for Laconia, New Hampshire decides him on his next leg; he’s never been there, but recognizes the name from family stories as his father’s birthplace, and decides to explore for a day before continuing his journey.
Meanwhile, a young Canadian couple is traveling to New York City to sell something valuable and parlay that into a new life in Florida; but car trouble sends them limping down a long country lane in search of assistance. From the minute Shorty and Patty arrived at the out-of-the-way motel, their old Honda knocking and backfiring, and met the four co-owners, I knew something was up; the guys’ bouncy, friendly affect was too much like Mormon missionaries at the door to be for real. The elaborate web of lies they wove to keep Shorty and Patty from going anywhere kept amping up my nerves as I waited to see what was intended for these two, even as they rationalized and justified their way from uneasiness to optimism and back again. The whole story line was fraught with anticipation.
At first, I assumed Reacher’s part of the story was simply designed to put him in the neighborhood of the hotel when it came time for whatever terrible thing was going to happen there to require his services. But his accidental and fairly casual research into his father’s small-town origins revealed more and different facts than he expected, puts him up against a couple of tough customers, and leads to some trouble of its own.
Although some people thought both story lines were drawn out too much, I really liked the switching back and forth between them as a vehicle to build suspense. The situation with Shorty and Patty eventually blows up, and Reacher is instrumental in his familiar role as a fixer. Despite a few departures from Reacher’s usual modus operandi, I enjoyed this quite a bit—it kept me reading until my Kindle died at 1:30 a.m., and I recommenced at 7:30 after the Kindle (and I) had recharged! There’s something to be said for a recurring theme with individual characteristics enlivening each iteration!
Almost a month ago now, I read two thrillers by author B. A. Paris that I enjoyed quite a lot. At the time, I mentioned that I still wanted to pick up her debut novel, recipient of many rave reviews on Goodreads, and I put it on hold at the library. On Wednesday I had a bunch of errands to run over in North Hollywood and decided that when I was done with them, I would treat myself to breakfast at Jinky’s in Studio City. I had heard good things about the café and wanted to try it.
When I was only a few blocks from the restaurant, I suddenly realized that I had no book in my purse! I had finished Kate Morton’s tome yesterday, and hadn’t started anything new yet. I don’t know how you feel about eating alone; I don’t mind it a bit, but the catch is that if I’m going solo, I must have a book to read with my breakfast! Fortunately, I was only about a mile from the Studio City Bookstar (Barnes & Noble), so I turned right instead of left, parked, dashed, remembered my desire to read Paris’s book, grabbed Behind Closed Doors off the shelf, paid, and was back in the car five minutes later on my way to Jinky’s.
What a story! Unlike the slow build-up of her other two books, you find out what’s going on between Jack and Grace almost immediately; even the opening scenes, when you’re still not quite sure, are redolent with a vague feeling of dread and anticipation. The picture the pair paint for the world is of a couple madly in love after a long wait for the right person (Grace is 32, Jack is 40, and neither has ever been married). Jack is a successful attorney who is revered for his work championing battered wives against their abusive husbands, and he has never lost a case. Grace, post wedding, has quit her job to become a charming and talented housewife and hostess for Jack’s friends at perfectly cooked and served dinner parties. But a nervous twitch here and there lets you know there’s something not quite right about the pair, although you don’t dream of the extent to which the picture is false.
Grace has a 17-year-old sister, Millie, with Downs Syndrome. One of the reasons she hasn’t so far married is that she is adamant that she and Millie are a package deal, and that once Millie turns 18 and leaves school, she will come to live with Grace. Jack has no problem with that condition—he says he loves Millie and would never separate them. Jack buys Grace a beautiful house, furnishes it perfectly (including a bright and cheerful bedroom set aside for Millie in her favorite color, yellow), and tells Grace she will see the house when they return from their honeymoon in Thailand. They tie the knot and embark on their honeymoon…but from the first night of marriage, everything has changed. Jack reveals an agenda that has Grace both horrified and defiant, but no matter how badly she regrets throwing in her lot with Jack, Jack manages to anticipate her every move, and seemingly her every thought, and Grace is unable to maneuver her way out of this disastrous decision.
The brilliance of this book is the fact that you know almost everything up front, and the suspense lies not in discovery, but in action. What will happen next? What new psychological trauma will Jack visit on Grace? Will she be able to escape from her marriage (or even from her bedroom), can she protect her sister from Jack’s plans, and how will she effect any of this when Jack controls her life so completely? The answers ramp up the tension and horror from the beginning right to the last sentence.
I will freely confess that I read a good bit of this last night before I went to sleep, and had nightmares half the night. It’s a truly disturbing book, scarier in its way than any horror novel full of zombies or monsters. The emotional investment, the headlong pacing, and the nerve-wracking build-up to the finish filled me with both fear and fury. I loved it.
After reading in one genre for a while, I often seek a “palate cleanser” by consciously choosing from another. Since I just finished about 2200 pages of epic anthropological science fiction, I decided to turn to something fast-paced and psychologically thrilling, and checked out two books by
B. A. Paris.
The first was The Breakdown, and the title is definitely a double entendre. Cass is driving home from a last-day-of-the-semester party with her colleagues. It’s “a dark and stormy night,” and she’s in a hurry to get home, so even though her husband, Matthew, has repeatedly pled with her not to use the shortcut through the woods, Cass decides to risk it. She sees another car, pulled into a turnout at the side of the road, with a woman sitting in it. She passes the car, then stops and looks back to see if the woman needs assistance, but the woman neither moves from the car nor signals Cass by honking or flashing her lights. It’s raining so hard (and is in such an isolated, creepy location) that Cass doesn’t want to get out of her own car, but she figures that if the woman’s car had broken down, she would have signaled in some way, so she continues her drive home, planning to call someone for her when she gets there. But something happens to put it out of her mind, and she doesn’t make the call.
Next morning on the news, she learns that the woman was murdered. Cass can’t seem to overcome her guilt, and it’s compounded by the fact that she doesn’t want to tell anyone (including the police), for fear of incurring scorn and blame, or even suspicion. If only she had stopped, if only she had called, the woman might still be alive.
In the following days, Cass grows increasingly distraught, and begins to exhibit signs of her stress by forgetting things—some small, some important. Compounding her distress is the thought that perhaps she is exhibiting the signs of early onset dementia, which is the disease to which she recently lost her mother. Then the house phone starts ringing every morning after her husband has left for work, but there’s nothing but silence on the other end. Cass starts to believe that someone knows she passed the victim’s car the night of the storm. Perhaps they think she saw something she didn’t. Are they watching her? Stalking her? As her memory grows worse and evidence mounts up that there’s definitely a problem, Cass doesn’t know what to do or whom to trust.
The suspense in this book builds nicely. The author knows just when to deal out bits of information about the other people in Cass’s life—her colleague, John, her best friend, Rachel, her husband, Matthew, as well as more peripheral contacts—to send the reader down some right and some wrong tracks in their suspicions about what’s going on. Like any good thriller, there is a twist you don’t quite see coming that puts the entire story on a different footing and begins to solve the mystery while leaving the most shocking bits for last.
I enjoyed this book so much that I decided to go back for more, and picked up Paris’s book Bring Me Back. This one has a before-and-after component to it, beginning with the traumatic night that Finn lost Layla. The two young lovers were driving home late at night from a ski holiday; Finn stopped at a lay-by to use the bathroom, and when he returned to the car, Layla had disappeared. Or at least, that’s how he told the story to the police; there may have been a few details he left out.
The book picks up 12 years later with Finn living with Layla’s sister, Ellen. After a few stagnant years unable to adjust to the loss of Layla, Finn meets Ellen at a memorial service suggested by Tony, the detective who, during the lengthy investigation, has become a friend. Finn and Ellen take mutual comfort from shared grief and a certain sense of familiarity, and begin to spend time getting to know one another. Now they have been living together for nearly a year, and have imminent plans to wed.
Then Tony calls Finn to tell him that an old neighbor of theirs swears he spotted Layla in the street near the cottage where they lived. Finn’s heart leaps, and he realizes that while he loves Ellen, if Layla were actually alive…the possibilities are troubling. While he assumes that the old man who claims he saw her could have made a mistake, he has no explanation for the Russian doll that appears at his and Ellen’s house, an exact replica of one Ellen lost as a child and always believed that Layla had stolen. And what about the leading emails he begins to receive from a stranger?
Finn keeps most of these events and clues from Ellen, hoping to sort things out on his own. If Layla is still alive, though, why hasn’t she just turned up? What could she want? What is the purpose of this game?
This one was more of a mixed bag for me than The Breakdown; a little more predictable in some moments, a little more clichéd. But I have to say that it was a compulsive read, and despite the ridiculous behavior of some of its characters, I continued to want to know what was going to happen until the very end, which is fittingly climactic. It’s definitely a page-turner that would make you a good beach read, if this is your kind of book! Paris knows how to draw a picture of life that is bright and shiny on the surface but dark and murky underneath, and to dole out glimpses of the latter in tantalizing servings.
From what everyone says on Goodreads, Paris’s most interesting book is still to come: Behind Closed Doors is her debut novel and received many votes in Goodreads’ best debut novel and best mystery/thriller categories. All copies are backed up with holds at the library right now (always a good, though frustrating, sign), so I have put it on my list. The author also has a new book expected to be released in January, 2020.
I never bypass the chance to read a novel by Peter Heller. I love that I never know what to expect—each book is so different from the one before, but all are gripping; his prose is both spare and lush in its evocations; and on top of that, the guy can tell a story. Once having read both The Painter and The Dog Stars, I would have been hard pressed to choose a favorite between them, and although I liked Celine less, it was, again, such a departure from previous works that both its characters and its mystery intrigued me.
His new book, The River, is similarly powerful. The sense of uneasiness evoked from the very first page builds to a cascade of climactic moments, each overpowering the previous one, until you wash into the ebb tide of the epilogue and realize you’ve been holding your breath for a good part of the book.
Two college friends, Dartmouth classmates Jack and Wynn, are taking a much-dreamed-of trip together, setting aside a few weeks to canoe a series of lakes into a northern-flowing river up into Canada. Jack, who was raised on a ranch in Colorado, is the more experienced of the two at camping and hunting, but Wynn, a gentle giant from rural Vermont, has his share of skills. They plan a leisurely trip of trout fishing, blueberry picking, and a slow trek through a route that alternates between smooth, flat water idyllic for paddling and rapids that must either be run or portaged around.
All of this changes one afternoon halfway through the trip, when the two climb a hill and see the glow of a massive forest fire about 25 miles off but clearly headed directly across their path. The lakes up until now have been completely empty of humans, and the two boys have enjoyed the cry of the loons and the spectacle of moose, bear, and other wildlife, but as they paddle upstream with new urgency, they encounter first a pair of men, drunk on whiskey and lolling in their campsite with no awareness of their peril, and then, as fog drops down and obscures the shore, they hear the voices of a man and woman, arguing passionately, their voices bouncing across the water. They warn the men about the fire, but can’t catch a glimpse of the contentious couple, and paddle on to their next campsite.
The next day, burdened with a sense of guilt for not searching harder, Jack and Wynn agree to turn back and warn the couple, if they can be found. This turns out to be a fateful decision that burdens them for the rest of their trip with unexpected responsibilities, dangers, and crises over and above the dreaded wildfire, which approaches ever closer.
Heller always delivers on atmosphere, and even if you have never camped out, paddled a canoe, or caught a fish, you are right there with his characters on the bank of the lakes and river, looking at the stars, watching the raptors in their nests at the tops of the tallest trees, or reeling in a line with a brown trout on the hook. The reader also gets quickly inside the heads of both protagonists, as well as tapping into the quiet and solid friendship between the two, which nonetheless becomes strained as events ramp up to catastrophe and their differing temperaments emerge.
As with his other books, I read this one in a day and a half, only deterred from one continuous sit-down by a traitorously depleted battery in my Kindle. In an interview for Bookpage, Heller said that he writes…
“…a thousand words a day, every day, and I always stop in the middle of a scene or a compelling train of thought. Most writers I know write through a scene. But if you think about it, that’s stopping at a transition, a double-return, white space. That’s what you face the next morning; it’s almost like starting the book fresh. If you stop in the middle, you can’t wait to continue the next day.”
That same sense of urgency pervades me as I read any of his books.
If you are a Tana French fan, as I am, there is no question that you will read whatever book she has written next; you just put a check in the “want to read” box on Goodreads and wait for its publication. And if you don’t want to buy your own personal copy so as to read it the instant it is released (I do, but I’m trying to come to terms with a new, slimmer budget, now that I am semi-retired), you resignedly log onto your local library catalogue, place a hold, and wait.
That’s what I did about six weeks ago, opting for the e-book with the idea that it would take less time to get than it would a hardcover copy. Then I promptly forgot about it and went about my business, until my email notification popped up to tell me that the e-book was awaiting me on my Kindle.
If you are a Tana French fan, then you know that all her books to date (six previous to this one) are part of a loose series called the Dublin Murder Squad, and each deals with a murder mystery to be solved by a Dublin detective. Each book has a different protagonist, although the others crop up in big, small, or completely incidental ways in the background of the books in which they don’t play lead. So while there is a familiarity about each book (a murder to be solved, a member of Dublin’s finest to do so), there is also a certain variety. You don’t know exactly what to expect, as you do with series in which the lead detective is always the same person. It’s kind of a genius way to write, if you can pull it off. Although I am a fan, for instance, of John Lescroart’s Dismas Hardy series, I have been vocal about my disappointment in those books in which he chooses one of his other characters as the lead. But so far, in her six books, French’s choices have never disappointed me, and I haven’t wavered in my slavering desire for the next one.
So, as I mentioned, The Witch Elm popped up on my Kindle a couple of days ago, and when I finished Michael Koryta’s book, I started to read. Imagine my confusion when, not having looked at a physical copy of the book for a flap synopsis or author blurb, I slowly realized that the Dublin Murder Squad was nowhere to be found? I kept reading as Toby, the average guy with a good job, friends, and a lovely girlfriend, went about his life, until one night he was mugged by burglars in his own home, and lay in the hospital recovering. Finally, two detectives showed up to take his statement, and I thought “Ah! here we go.”
Nope. The detectives came and went, and we stuck with Toby.
For her fans, this is a huge departure for French, and reactions will be mixed. Mystery readers and procedural fans may be disappointed. As with many procedurals, the crimes in French’s books, while clever, are the incidental vehicle, but the detectives’ engaging personal histories are what draw readers in and tempt them to return.
There is, eventually, a murder in this book, and there are some Dublin detectives taking an active part in its investigation; but the story continues to be told by the victims and, later, the perpetrators. Rather than featuring as the leads, the detectives maintain the persona that they represent to most people in real life: initially friendly and helpful, but also a looming source of panic and dread as their attention falls on you and you wonder, Do they really think I did this?
The book is a slow and intricate read, and takes almost 100 pages to build up to the discovery of the murder. Although some may believe that French’s editors were simply too afraid at this point to curtail the prose of such a successful writer, I don’t believe that’s the case here. Yes, I was initially somewhat frustrated to sit through the transformation of Toby from a basically happy-go-lucky guy to a man who didn’t know how or when he would ever recover from what’s been done to him. He’s pathetic, but he’s not the most sympathetic of characters, and my impatience grew with the narrative. But when the story transitions to the search for a murderer among Toby’s family, and so many questions are raised, you begin to realize that this book isn’t a whodunnit, it’s a psychological character study that, because of the unreliable nature of the characters, ramps up the tension exponentially with every page. In hindsight you see that all (okay, most) of that angst and drama you sat through with Toby was in service of everything that comes after, and you grow to appreciate your insider’s view as things continue to swing out of control. Although I had to make a little effort to get through the first part of this novel, I whipped through the last 30 percent of it between midnight and 3:00 a.m., and I don’t regret staying up one bit.
It’s hard, when you love unreservedly the kind of book that an author has reliably delivered as many times as has Tana French, and then she changes her focus. But I would call The Witch Elm a successful step in her career. If I’m honest, I still hope she returns to the Dublin Murder Squad, but I won’t be sad if, as well, we get a few one-offs like this one along the way.
Last week, I was checking for a book on bookoutlet.com, a discount site that provided me with many budget-saving deals during my 10 years as a teen librarian running three book clubs on a budget. If you have never been there, then beware; you can spend an awful lot of money while “saving” it. Only books that have been remaindered appear for sale, but that includes a surprising number of mainstream authors and excellent reads, and you can buy most of them for between $2.79 and $6.49 apiece. They do have a “remaindered” dot or slash on the bottom or top of their pages, but if you aren’t one of those fussy people whose personally owned books have to be absolutely pristine, then you can greatly expand your collection for not a lot of money. The only tricky part is that shipping is high, so in order to get it for free, you have to spend $35 or more. But if you regularly go on Amazon to buy new fiction at $25 for one hardcover, then you won’t find that difficult; and if you’re buying in bulk for a book club, this is a website you need!
Anyway, I was shopping there, and attempting to buy everything I wanted or “needed” at once so as to obtain the free shipping, so I ended up adding in a book by Michael Koryta. I had never read him before, but he is “blurbed” by the likes of Michael Connelly, so I decided he was worth a try. I settled on the particular book I bought—The Prophet—because it was a stand-alone, and because it sounded more straight-up mystery/thriller than the others, which apparently harbor some horror tendencies. Since I am squeamish about horror, I turned away from those, although I have subsequently discovered from other reviewers on Goodreads that his supernatural twists are “suspenseful without being gory enough or scary enough to fall into the horror category.”
The Prophet is about two brothers whose lives have been shaped by the murder of their sister. When all three were in high school, the eldest, Marie, walked home alone one twilight, and was kidnapped and killed. Either of the brothers could have escorted her home, but one was wrapped up in football while the other had recently fallen in love, and both shirked the responsibility to pursue their own goals, reasoning that not much could happen in five blocks. Both spent their lives regretting that decision.
It’s 10 years later, and although Kent has moved on, becoming the town’s beloved head coach of the competitive high school football team, Adam continues to live in the family home with an untouched bedroom shrine to his sister. Adam is a bail bondsman, and is a hard-drinking risk-taker who is haunted by that one lapse of judgment. The brothers became alienated over the family tragedy, and haven’t spoken in years despite continuing to live in this small, depressed Ohio steel town.
Into both their lives comes a girl looking for a reunion with her father, a paroled criminal. She is connected tangentially to both brothers—she has hired Adam to get her an address for her dad, and it turns out she’s also the girlfriend of Kent’s wide receiver. So when she goes missing and then turns up dead, it throws both of them directly back into their mindset after Marie’s death. When the crime turns out to be further connected with the brothers, they must put their differences aside and work together to find the killer.
In some ways this was a beautifully balanced thriller: I liked the juxtaposition of the two brothers, the one hardly distinguishable from the criminals and outlaws with whom he does business as a bail bondsman, the other an upstanding member of the community, deeply, overtly religious, and the town’s best hope for a football championship that would brighten the lives of the many unemployed steel workers whose children play for his team. When a psychopath turns up in their town and begins to manipulate the both of them, their varied reactions are fascinating to watch. I enjoyed the way the mystery played out, and never guessed its resolution, being as shocked at various circumstances as were Kent and Adam (and the police).
This is also a book full of football, and I appreciated that much less. I have never been a fan of the sport, and a large percentage of the book is spent following both the team itself and the machinations in its head coach’s head as he tries to reconcile his belief that the game is merely a means to an end—a way to help these young people develop skills and opportunities—with his deep-down raging desire to win the state championship, just once in his career. Although the psychological aspects of the game to some extent mirrored the psychological aspects of the other things going on in town, I found myself becoming impatient with the minute details of practices, plays, and strategy.
So for those wondering whether to read The Prophet, I would say it’s a good thriller with a solid plot and some well-developed characters, but if you really love football, then that is what will carry you over the top to victory in your search for a good book.
I believe I will try one more of Koryta’s, not burdened by football, and see what I think.