Zig-zag
I recently discovered that Elly Griffiths, who writes the Ruth Galloway mysteries and has three volumes in a fairly recent story line starring Harbinder Kaur, has yet another series, called either The Brighton Mysteries or Stephens & Mephisto,… Read More
The essence of a genre
As I discuss in my genre lecture in my readers’ advisory class at UCLA, crime fiction accounts for as much as a third of the fiction published in English worldwide. If you regard that statistic you must conclude… Read More
Plausibility
Do romance novels have to have a plausible premise? I ask this because so many don’t, in my experience. Every once in a while I go outside my preferred reader zone and assay one of the genres for… Read More
A certain kind of story
I discovered Jodi Picoult’s books back when I was on the cusp of 40, with her book Mercy (I think). I may have read one of the ones before that, but the descriptions on Goodreads don’t spark any… Read More
Unreliable narrator(s)
Typically, a third-person narrative offers (at best) a picture of objective reality, or at least a world-view that is easily identified as biased in a particular way. But a first-person narrator has no obligation to offer the facts… Read More
Over the top is okay!
The latest installment of Elle Cosimano’s Finlay Donovan series dropped on January 31st, and I started reading it a few days later when I discovered it on my Kindle (I had prepaid for the e-book dump and then… Read More
The Book Adept 