After my previous reading experiences with Lily King,
I was intrigued by the concept of her book Euphoria. Although itself fiction, it is said to be based on a small portion of the life and experiences of the great anthropologist Margaret Mead.
In the book, Nell Stone, her enigmatic and combative husband, Schuyler Fenwick (called “Fen”), and their colleague Andrew Bankson are all studying tribes along a river in the jungles of New Guinea. Each has his or her own way of going about their research: Nell provokes the villagers with constant questions reinforced by various activities, taking copious notes that she transcribes and reflects upon daily; Fen immerses himself in some aspect of the tribe’s activities and in essence becomes part of them as best he can, apparently without much reflection and sometimes with massive misperceptions; and Bankson (at least up until he met Nell and Fen) subscribes to a much more traditional and passive observational method that leaves him feeling unsatisfied and sometimes duped.
Although the description of the book implies that the three of them are transformed by working together, there is only a brief period during which this is true; the rest of the time, Nell is constantly refining her research methods and publishing her results to great acclaim, while Fen looks on them with contempt (but also with jealousy for her success) and goes his own way, and Bankson moons after Nell and wishes he could simultaneously be with her and be more like her. The description also remarks on “a firestorm of fierce love and jealousy,” but again, the depiction was (at least for me) a pallid version of what is implied. For me, the center of the book was Nell, and I wanted to know a lot more about her personally and also about the thoughts behind the work she was doing than I was given by King.
Honestly, I can’t quite define how I feel after finishing this book. The language and imagery were so immediate and so incredibly beautiful…and yet the characters seemed oddly elusive. The way it’s written, from one person’s viewpoint (Bankson) interspersed with another person’s diary (Nell), was a little off-putting to me, perhaps because the narrator’s part of the tale was inhibited by his innate Englishness, while the diary was written in truncated entries that didn’t quite fulfill my curiosity. And of course there is a third person in this book (Fen) who is a main character and yet remains largely a mystery, both to the reader and to his fellow anthropologists.
Some of the thinking about the similarities and differences between so-called civilized people and the native tribes they are studying—and how that study inevitably impacts and changes those being observed—was fascinating, and the “grid” they created to divide peoples and individuals into types felt like as big a breakthrough as when the characters depicted it, inspiring me to want to read the works of Margaret Mead directly. But I wanted a lot more than I got from the core relationships in this book, and was ultimately left feeling dissatisfied, depressed, and a bit disturbed by the whole thing. So, a mixed bag for me, despite my admiration for the writing.
Note: Gorgeous, perfectly appropriate cover. It depicts the colors of the rainbow gum tree growing up through the center of the protagonists’ house.