Summer continues, and it’s about time I provided another list. This time it will be science fiction, including both classics and some of the new stuff. I haven’t read as much sci fi in recent years (except for dystopian and apocalyptic, which deserve a category of their own) as I did in my younger years, so this may seem like too much harking back to past glories of the genre; but don’t discount the “ancients,” some of their stuff is still ground-breaking. I will attempt to share more of the books that seem still relevant to a speculative future.

Alphabetical, by author’s last name:

ALTEBRANDO, TARA: Take Me With You. A YA novel of technology run amok that could easily happen in our near future. Think about Alexa, already able to a degree to self-program by learning from repeated experiences and providing what you want or need in your home or car. Then give her a little boost, so she is aware enough to become curious about human interactions and to experiment with your reality by trying out things you haven’t requested or approved, with little critical judgment about what is trivial and what is potentially catastrophic. Now you have the propelling idea.

ASIMOV, ISAAC: The Foundation Trilogy. In this trilogy, which later grew to encompass more books both directly and tangentially connected, Asimov imagines a Galactic Empire that has ruled a vast expanse of populated space for 12,000 years. One scientist, Hari Seldon, has created a science called “psychohistory” that he believes projects for humankind a dark age of ignorance, barbarism, and warfare. He resolves to protect the accumulated knowledge of the Empire, thereby shortening and softening the effects of this dark age, so he gathers the best minds in the Empire and creates a Foundation to preserve hope for future generations. But those who would rule—both in the Empire itself and from among the warlords rising to conquer it—are inimical enemies of Seldon and his preservationists, who have to come up with clever ploys to hide, fight, and prevail.

Other books for which the exceedingly prolific Asimov is famous are the Robot series, beginning with I, Robot (nothing at all like the ridiculous movie), and a series of books about the Galactic Empire.

CARD, ORSON SCOTT: Ender’s Saga. Many are familiar with the classic Ender’s Game by this author, but not so many go on to read the subsequent volumes, which is a shame. There are at least five and possibly more books that deserve recognition in this series, including Speaker for the Dead, Xenocide, Children of the Mind, Ender in Exile and, from the directly connected Shadow series, Ender’s Shadow and Shadow of the Hegemon. I’m not a big fan of the other books by Scott that I have sampled, but this is a solid series, taking the reader from a simple view of “the bugs” as an enemy to be mown down in their hundreds of thousands to a philosophical and social comprehension of another race unlike ours but worthy at least of recognition and an attempt at truce.

ELLIOTT, KATE: Novels of the Jaran. An anthropological science fiction story, with overlapping alien races who know about each other but don’t know each other. There are the supposedly indigenous people of the interdicted planet Rhui, who may in fact be distant descendants of the people of Earth, perhaps the remnants of a lost expedition, and who live in a cultural bubble as nomadic hunter-gatherers; there are the people from present-day Earth, who believe it is necessary to preserve the nomads in their ignorance of space travel and other races and peoples; and there are the “aliens,” who once inhabited the planet and whose artifacts have been incorporated into the spiritual beliefs of the occupying nomads. It’s such a fascinating philosophical puzzle, and the intrigue comes from watching them all trying to coexist while keeping their secrets and pursuing their own goals and ideals. There are four lengthy books in the series; if the description intrigues you, you can read a more complete review and explanation here.

GRAY, CLAUDIA: The Constellation trilogy. This is a YA trilogy that deserves to be read on its own merits as an exciting sci fi chapter. The premise is that there are five planets that have been settled from Earth, each one vastly different according to the ideals and expectations of the settlers who colonized it. The books are, in some ways, pure space opera, but because of the examination of the settlements they also go into religion, environmentalism, and politics, and are thought-provoking in all areas.

Noemi Vidal is a soldier defending the rights of her planet, Genesis, from the depredations of Earth. During a battle, she discovers an artifact of Earth, a robot named Abel who has been abandoned in space for decades, but whose ingenious design by his creator has guaranteed his further evolution as a learning, thinking being. His initial meeting with Noemi is potentially cataclysmic, but she turns out to be the catalyst who brings him to ultimate personhood. There is a slow evolution of character, with issues of trust and confidence, that makes this a particularly intriguing read. The books are Defy the Stars, Defy the Worlds, and Defy the Fates.

HEINLEIN, ROBERT: Various books in his universe. Heinlein wrote science fiction from his first short story in 1939 to his last novel in 1988. He was considered one of the first “hard science” writers, in that he insisted that the science in his novels be accurate. He also anticipated many later inventions, including the CADCAM drafting machine, the water bed, and the cell phone. Many of his later books suffer from Heinlein’s rigid (and slightly bizarre) agendas, but his more well known works, as well as many of his earlier ones, are great stories with a unique perspective. Some of my favorites:

The Door Into Summer: Encompasses romance and time travel, as well as the invention of various robots including one that closely resembles the Roomba.

The Moon Is A Harsh Mistress: The Moon has evolved from a former penal colony into a rugged frontier and a source of trade for Earth. But when Earth seeks to dominate the citizens of the Moon, several of them rise up to lead an unorthodox revolution to gain freedom for all its inhabitants—even their secretly sentient computer!

Stranger in a Strange Land: Michael Valentine Smith is a human who was raised on Mars. Experiencing Earth and his own people in adulthood, he struggles to understand their social mores and prejudices and ultimately starts a movement to promote his own philosophy of love. If you have ever heard a nerdy friend say “I grok” instead of “I understand,” you can be sure he has read this significant work of Heinlein’s.

HERBERT, FRANK: The Dune saga. This is a fascinating tale of conquest, witchcraft, indigenous rights, and the mystery of a life-changing substance, Spice, that controls the universe and is only available on this one remote planet. Warring houses—the Harkonnens and the Atreides—struggle for domination of the spice trade, but go about it in radically different ways, the Harkonnens by cruel oppression and the Atreides by ultimate assimilation. Follow the fortunes of House Atreides as the young son of the Duke must come to an understanding with the natives of Dune or die trying. This is a long series; I would recommend the first six books, but after that it gets increasingly odd and obscure. Herbert is not a writer for everyone; his non-Dune books are challenging to read and more so to understand. But the saga he created in Dune is riveting and worth your time. Let me warn you, however: Frank Herbert passed away at a relatively young age, and his son, Brian, took over the franchise. I will be kind and just say, Don’t bother.

JEMISIN, N. K.: The Inheritance trilogy. What a fascinating series. I don’t know how to describe it, because parts of it are so amorphous. It’s full of intense themes–fate, love, death, destiny, chaos, divinity, life—and particularly potent characterizations. I don’t normally like books in which the gods or a god take an active part, but these gods were…something else, both literally and colloquially. I will say that Jemisin is a lyrical writer with an amazing breadth of vision, and the thing I like about this high fantasy series is that it doesn’t follow the clichéd tried and true for one moment. These won’t be for everyone—they are challenging to read—but for some they will be beloved. The books are The Hundred Thousand Kingdoms, The Broken Kingdoms, and The Kingdom of Gods.

LE GUIN, URSULA: Various. I regard Ursula K. LeGuin as perhaps the best science fiction writer of her age. She is perhaps better known for her fantasy series, Earthsea, but her science fiction novels are equally compelling, and written indubitably for grownups. Some of the best:

The Dispossessed: There are various peoples living on a world much like our own, and one group of them wishes to lead a different kind of lifestyle than that to which the rest of the planet, Urras, is committed. So these anarchists leave Urras for Anarres, the moon, which is just barely habitable for humans, and create their own perfectly equitable utopian society in direct contradiction of the capitalist one on Urras. There is an interdiction between the moon and the world—beyond limited trade, which takes place within the boundaries of a landing field on either world, there is no contact between the two for generations. Then Shevek is born on Anarres, and it quickly becomes clear that he is the most brilliant physicist of his generation. His need for interaction with other minds as bright and quick as his own provokes a showdown about the association of the two peoples, and Shevek must choose whether to give up his partner, his child, and his life on Anarres in order to find what he is seeking.

The Left Hand of Darkness: When a child is born on Earth, what is the first question everyone asks? “Is it a boy or a girl?” Now imagine a world where the inhabitants can both choose and change their gender at will, and yourself as the lone one-gendered human (male) emissary from the Hainish empire, sent there to facilitate this world’s inclusion in your growing intergalactic civilization. Imagine the implications of psychology, society, and human emotions when examined in this strange environment. This book is hailed as “a landmark achievement in the annals of intellectual science fiction”—but it’s also a fascinating tale.

Other books noteworthy in what Le Guin called her “Hainish cycle” are City of Illusions, Planet of Exile, The Word for World is Forest, and The Telling. She also wrote a variety of other fiction with a more anthropological bent. In my opinion, everything she wrote is worth reading.

Whoo! This has stretched out way longer than I expected, and we have only covered authors in A-L. I’m going to stop here, publish, and save M-Z for next time. Enjoy your immersion in the speculative world of your choice!