Los Angeles Public Library finally let me have The Ten Thousand Doors of January, by Alix E. Harrow, a book about which I had massive anticipation after having devoured Alix Harrow’s second book, The Once and Future Witches (review here). And while that book was about spells hidden in plain sight and this book was about elusive doorways, in a real sense both books are about openings.
The 10K Doors beguiled me from almost the first page. The language was beautiful, evocative, persuasive. The story begins with a book, which is always a way to my heart. And the door theme carried me back to every beloved tale in which someone found an opening to somewhere else and was brave enough to step through it, from the classics (Alice in Wonderland, The Phantom Tollbooth, Narnia) to more recent works (Mirrorworld, Shades of Magic, Un Lun Dun), but it particularly put me in mind of Wayward Children, the stunningly original series by Seanan McGuire that portrays a group of children who have had the experience of going through a portal to the world of their dreams, only to later be ejected and left longing to return. The Ten Thousand Doors of January is the ultimate portal novel.
Like the protagonists in McGuire’s series, January Scaller is a misfit in her own life. Her childhood has been simultaneously comfortable bordering on indulgent, and immensely restrictive; while her widowed dark-skinned father travels on business for his employer, January lives a sedate, smothering life sequestered in Mr. Locke’s mansion that is filled with the artifacts and treasures her father has brought back to him from all over the world. January spends most of her young life torn between gratitude for Mr. Locke’s guardianship and patronage, and resentful that she is kept like another of his precious objects, locked up in a house with no company save for that of a repressive nursemaid/chaperone. As a person of color, January is ogled and patronized by the lily-white British society within which the wealthy Mr. Locke moves (the story begins in 1901), and she has no friends save an Italian grocery delivery boy and the enormous and fanatically loyal dog with whom he gifts her.
As a solitary child, January naturally seeks out ways to amuse herself, and becomes immersed in certain texts and books not meant for her eyes, writings that reveal a possible escape from her overweening patron. But after her father dies and Locke discovers she may have abilities he and his friends value, January must call upon all her thus-far meager resources to save herself from their plans, and also prevent the doorways she has discovered from closing forever.
Books can smell of cheap thrills or painstaking scholarship, of literary weight or unsolved mysteries. This one smelled unlike any book I’d ever held. Cinnamon and coal smoke, catacombs and loam. Damp seaside evenings and sweat-slick noontimes beneath palm fronds. It smelled as if it had been in the mail for longer than any one parcel could be, circling the world for years and accumulating layers of smells like a tramp wearing too many clothes. It smelled like adventure itself had been harvested in the wild, distilled to a fine wine, and splashed across each page.
Although the book has a somewhat slow start, and the protagonist is initially almost frustratingly passive despite her inner nature (“The will to be polite, to maintain civility and normalcy, is fearfully strong. I wonder sometimes how much evil is permitted to run unchecked simply because it would be rude to interrupt it”), the story within a story of Adelaide (Ade) and Yule Ian Scholar (Julian), who find one another when Yule crosses through a door from his home into a Kentucky wheat field, pulls you first into that world and then into the possible connections with January’s, and after that it’s total fascinated attention to the very last page.
This book is almost haunting in its sadness and yearning for the freedom of a wider world, and a longing for the ability to translate otherness into belonging. The loneliness of January, motherless and separated from a father who wants to keep her safe but believes that can’t happen if she is with him; the solitude of Ade, searching relentlessly for the door that will carry her back to Julian; the alienation of January’s friend Jane, exiled from her homeland because of a promise; all act upon the reader to provoke a desperate wish that these people will get what they want, find what they seek, and in that process make the universe a more fluid place.
Doors become more than just passageways to new experiences; they are also symbols of openness and change, qualities that January considers essential while Mr. Locke deems them threatening to existence. Stagnation is antithetical to those who wish for true freedom for everyone, while to the people in power it is an essential component in consolidating their dominance. January is one girl up against a wall of opposition, but she finds unexpected resources from her past, from her few allies, and finally from within. This story connected with my dogged belief, despite the mundanity of everyday life, that there is both magic and hope out there somewhere, if only the way can be found.
It bowled me over.